Florencio Sánchez 1910 - 100 years of Florencio Sánchez-2010 1910 - 100 YEARS OF FLORENCIO SANCHEZ - 2010
DYING TO BE LIVING IN OUR TOWN
Florencio Sánchez was born in Montevideo on January 17, 1875. Leave high school and very young ventures in journalism where he developed an intense work in various media from Uruguay and Argentina. Self-taught, channeled into the critical and liberating theatrical activity, their imaginary rebellious.
the tradition of his family joined at the outbreak of civil war in 1897, the ranks Sarava. Appalled by the leaders of the uprising weather is soon going to Brazil and Argentina and also migrates anarchist ideas in which prosecutes militancy. In his Letters of Light reveals his final decision to move away from traditional conservative ideas. Back in Montevideo
enters the International Center of Social Studies where he premiered his first work there Puertas Adentro developed an intense militant activity and exposing more of his works. His work Canillita, with which he expressed solidarity with workers striking graphics, will cost you your job, other times under the presentation of honest people police prevented its release, but Florencio Sánchez declines its commitment to the people . Among the playwrights who are members of the CIES, Florencio Sánchez was perhaps the essential bridge that was prescribed and link between the acting and popular struggles.
We highlight the indisputable historical role that will meet folk artists in shaping class identity and subjectivity, is in this sense that the CIES is trying to position art as a practice of resistance and as a tool to fuel the movement awareness workers' and people with a transformational perspective, a task that had to Florencio Sánchez side by side in the front rows.
wrote more than 20 theatrical titles, some of them are considered higher than today as Barranca Abajo, family and others. Some of his most important works, besides those already mentioned, were: M 'Son the Doctor, Health Rights, counterfeit currency, La Gringa, Los Muertos, Our Children, A Good Business, Eviction, The Past, The Poor People, La Tigra, Kurds and Martha groaned, which include various social problems and feelings, immigration, the world of rural and urban labor, social affairs, the tenements, health, hunger, social disintegration, conflict workers, violence, etc, loaded with realistic critical, represented in his characters, theatrical production was characterized recognized around the Río de la Plata.
On November 25, 1909 shipped to Europe where it runs through several cities. Die, product tuberculosis, 7 January 1910 at the Charity Hospital of Milan (Italy). On January 21, 1921 transferred his remains to Montevideo resting in the National Pantheon. Today is considered one of the most celebrated playwrights in history and is recognized in this respect nationally and internationally as well.
Some people die to continue living, 100 years Florencio Sanchez keeps his work proletarian acting against the employer, solidarity with workers in conflicts, sensitive to popular emergencies; intolerant of government arrogance and clear and simple for you reach the most humble. Its validity commits us to keep believing and building the road that leads inexorably social transformation where the oppressed people the masters of their destiny. In this way is that along with the legacy of Florencio Sánchez those below should be the main actors in this play for a decent future and just to be set up with the lessons of the past and the imperative to fight this.
With always the people who fought their way mark
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